Peter Mullan, News, Pictures, Buzz

Source: Google
Peter Mullan
Out-of-State work by Education Secretary
Out-of-State work by Education Secretary Ryan Stewart leads to legislation  taosnews
Posted on 1 March 2021 | 1:19 pm
First teaser trailer for 'The Underground
First teaser trailer for 'The Underground Railroad' from Barry Jenkins  The Hollywood News
Posted on 28 February 2021 | 11:17 pm
Simonich: In Charge Of New Mexico Public
Simonich: In Charge Of New Mexico Public Schools While Living In Philadelphia … A Touchy Subject  Los Alamos Daily Post
Posted on 28 February 2021 | 3:57 pm
How The 'Trainspotting' Soundtrack Turned A
How The 'Trainspotting' Soundtrack Turned A Dispatch From The Fringes Into A Cult Classic  Recording Academy | Grammys
Posted on 28 February 2021 | 3:43 pm
Barry Jenkins’ ‘The Underground
Barry Jenkins’ ‘The Underground Railroad’ to Premiere in May  Slanted
Posted on 28 February 2021 | 6:59 am
Source: Yahoo
Peter Mullan
Ozark season 4: Ruth Langmore and Byrdes
Ozark season 4: Ruth Langmore and Byrdes showdown sealed by showrunner ‘Fierce opposition'  Express
Posted on 26 February 2021 | 6:01 pm
BAZ BAMIGBGOYE: Why Jack O'Connell is going
BAZ BAMIGBGOYE: Why Jack O'Connell is going rogue with the SAS  Daily Mail
Posted on 25 February 2021 | 12:00 am
The Underground Railroad Teaser: All Aboard
The Underground Railroad Teaser: All Aboard Barry Jenkins’s Long-Awaited Series  Vulture
Posted on 25 February 2021 | 12:00 am
Stefano Massenzi • Distributeur, Lucky Red
Stefano Massenzi • Distributeur, Lucky Red  Cineuropa
Posted on 23 February 2021 | 8:56 am
Stefano Massenzi • Distribuidor, Lucky Red
Stefano Massenzi • Distribuidor, Lucky Red  Cineuropa
Posted on 23 February 2021 | 8:20 am
Source: Bing
Peter Mullan
As McDormand eyes a third Oscar, ‘Olive
As McDormand eyes a third Oscar, ‘Olive Kitteridge’ deserves another look  The Boston Globe
Posted on 23 February 2021 | 12:00 am
The Eerie Crime Connection Fans Noticed
The Eerie Crime Connection Fans Noticed About Ozark's Darlene  Looper
Posted on 21 February 2021 | 12:00 am
Actors Who Almost Played Different
Actors Who Almost Played Different Characters On Shows  BuzzFeed
Posted on 15 February 2021 | 12:00 am
Scotland on Sunday Travel Wishlist - Hotel
Scotland on Sunday Travel Wishlist - Hotel preview: Corsewall Lighthouse Hotel, Corsewall Point, Kirkcolm  The Scotsman
Posted on 10 February 2021 | 12:00 am
New Transit Agency Takes Command of Project
New Transit Agency Takes Command of Project Connect  Austin Chronicle
Posted on 29 January 2021 | 12:00 am
Source: Older News
Peter Mullan
Lisa Emery salary: How much is Lisa Emery
Lisa Emery salary: How much is Lisa Emery paid for Ozark?  Express
Posted on 28 January 2021 | 12:00 am
Peter Mullan salary: How much was Peter
Peter Mullan salary: How much was Peter Mullan paid for Ozark?  Express
Posted on 27 January 2021 | 12:00 am
The Underground Railroad: New Teaser for
The Underground Railroad: New Teaser for Amazon TV Show Rewinds Time  Collider
Posted on 25 January 2021 | 12:00 am
Is Ozark season 4 coming in 2021? - Netflix
Is Ozark season 4 coming in 2021?  Netflix Life
Posted on 24 January 2021 | 12:00 am
All the period dramas arriving in 2021 -
All the period dramas arriving in 2021  goodhousekeeping.com
Posted on 20 January 2021 | 12:00 am
Source: Twitter
Peter Mullan
joel_ca_c: @TheCyclingScot @aeugchad Just
joel_ca_c: @TheCyclingScot @aeugchad Just noticed that's David McKay ^ the left, who played the lead in "Stookie", a children… https://t.co/L8UC8uW8Iz
Posted on 7 March 2021 | 4:49 am
NQAffiliates: "Sometimes you have to
NQAffiliates: "Sometimes you have to c&~fr&~t your dem&~s...to find a place where you can gain...understanding." Peter Mullan #NimbleQuotes
Posted on 7 March 2021 | 4:49 am
Susie39659018: RT @Celebs4indy: PETER MULLAN
Susie39659018: RT @Celebs4indy: PETER MULLAN 'I've got nothing against the English, but I d&*!'t want Westminster ruling my country. I want neighbours not…
Posted on 7 March 2021 | 4:49 am
jinganyoung: Otherwise, it was pretty much
jinganyoung: Otherwise, it was pretty much perfect, chilling, leaves you with nightmares and Peter Mullan's character warms you… https://t.co/0dLt0EGqGV
Posted on 7 March 2021 | 4:49 am
BizMktgNinjas: "Sometimes you have to
BizMktgNinjas: "Sometimes you have to c@%fr@%t your dem@%s...to find a place where you can gain...understanding." Peter Mullan #enthusiasm
Posted on 7 March 2021 | 4:49 am
Source: Answers
Peter Mullan
Resolved Question: Whats the movie where a
and one of the characters who die is afraid of the dark
Posted on 24 September 2016 | 2:32 pm
Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:48 am
Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:47 am
Resolved Question: Who is the actor for Ted
Posted on 5 February 2012 | 3:54 am
Resolved Question: Question is regarding
What is peter mullan's character explanation of tyrannosaur (which he explains to Hannah in one scene)? Scottish accent is sometimes hard to understand.
Posted on 14 December 2011 | 4:56 pm

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